More Eye-Candy

Ok, it's been a while since my little rant on graphics. Let me clarify a few things that I don't think came across quite right.

1. The main point was that having a consistent art style, and clean graphics is what's most important. For example, Prey was touted as having amazing detail....but the people's faces looked rubbery, it made them look less like humans and more like moving manakins. I feel it would have been better to sacrifice the detail provided in their normal maps in exchange for proper specularity, or some other such trade between resources.

2. Graphics should be advanced as much as possible. I merely mean to say that they should take a back seat to the game itself. As I mentioned, I kept getting lost in various areas in Halo 3; the reason being that they were adding so much detail that few things really stuck out as saying "Go Here". In the earlier games, any glowing and/or transparent box denoted a power up of some kind. In Halo 3 I witnessed various objects with these same properties....but they did nothing.

3. If physics is actually implemented in the GAME( not just in terms of what you see, but in terms of what you have to do to get through the game), then they deserve just as much attention. I recall reading an article that said that there was only one programmer who did all of the physics in Insomniac's Resistance: Fall Of Man. On the other hand, I believe I heard that there were 4 or 5 for Doom 3.

4. To elaborate on Van Gogh's Self Portrait, and to defend my slight feeling of contempt for modern/modern expressionist art and their correlaries.... it employs a vibrant use of many colors in a way that would be difficult to concieve of for anyone not well versed in using color(the eyes have around 40 colors in them, I hear), it shows proper form/proportion, and uses not only variation on light, but variation in color to give a sense of depth and life.

5. I hope to get the opportunity to do some graphics or at least be involved with art direction at some point, so I am in no way saying that art is not important.